Impressive, to say the least! The front elements do not rotate, allowing for the seamless use of filters such as graduates and polarizers. Fujifilm Lenses for X Series Mirrorless Cameras. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. Although be aware that in quieter recording situations some slight motor-noise might be picked up by your camera’s internal mic (but this isn’t a given either; it really is very quiet!). Not only does it top of our list of the best video lenses for Fuji X-mount cameras, but it is simply one of the best lenses available for Fuji overall. Legend WR - Weather resistant (can withstand rain and below freezing temperatures). you might find a sharp zoom, but it’ll probably cost a lot and won’t have a very fast maximum aperture. Offering an angle of view equivalent to a 35mm lens on a full-frame camera, the Fujinon 23mm f/2 iR WR is a sharp and fast prime lens that comes at a bargain price. I’ve often thought of purchasing that lens again, but for $900 – no thanks. The lens features a snappy and near-silent ultrasonic focus motor. 1. But for filmmakers of a more dedicated and patient variety – those who prefer to take full control over every element of their video productions – this may be just the bit of glass you’ve been waiting for. New sensor, 4K video, dual SD cards, faster and a big step toward becoming a viable DSLR replacement. And most of the time your subject will be in the center – making this a bit of a non-issue. The dust and weather-proof Fujifilm lens include an iris diaphragm with nine rounded blades and an aperture ring on the metal barrel. And so on.Â. Hope you find them helpful, don’t hesitate to leave a comment! I am struggling with underexposed videos using my X-T3 and 10-24mm with interior Real Estate videos even with a decent amount of natural and ambient light. Please don’t forget to leave a comment below and share this article if you found it helpful. Here are the top rated Fujifilm X-T3 lenses. To be sure, if you are serious about videography you will quickly learn that using a camera’s built-in microphone is not the best way to record audio. Many photographers prefer the wide-angle zoom over the prime… There is a feast of glassware which incorporates 3 aspherical elements and 3 ED (Extra-low Dispersion) elements. The 56mm F1.2 feels sturdy due to its all-metal construction. Fujifilm 56mm f/1.2 ($899) Category: Portrait. The other elements have convex surfaces that ensure that there is ample light coverage. A 98.9-degree angle of view makes these lenses ideal for tight interior locations, architecture, and landscape photography. Move fast and the elements move fast, move slow and they move slow.Â. So why would many people prefer this bigger, and a relatively more expensive model? The total price, then, is essentially the same as if you were to purchase a Fuji lens. Offering a focal length equivalent to 27-53mm on full frame, Sigma’s 18-35mm f/1.8 Art lens is clearly not the most versatile zoom in existence. The problem with zooms, though, is that in order to fit several lenses into one, certain compromises have to be made. In-focus elements are razor-sharp, silent, and fast, making this model one of the best Fujifilm cameras for discreet shooting. There's not much bad to say about the Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS—it's one of the best 55-200mm lenses we've seen, but it is on the pricey side. The Fujinon XF 16-55mm F2.8 R LM WR became the first-ever professional-grade zoom lens for Fujifilm’s X series with interchangeable lens cameras. All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. Until that time though, keep in mind that some AF systems are quieter than others. As we’ve seen, when choosing a lens for videography you’ll need to take into consideration many important elements beyond simply those that concern the average stills photographer or casual shooter. Well, as mentioned above, to get a truly cinematic look to your video footage, you’ll want to shoot at a wide aperture; thus throwing the background out of focus. A 150mm filter adapter may be required for the XF 8-16mm lens to use filters. The Fujinon XC35mm F2 is as basic as it gets. With tons of positive user reviews online and a near-legendary status, the Fujifilm XF56mm f/1.2 deserves a mention as one of the best Fuji X portraiture lenses. And for filmmakers seeking something in this approximate focal length, there really isn’t anything better out there for the Fuji X-mount right now. Needless to say, it’s been a few years. And how should you go about choosing the right ones for your own video work? Over all, though, this is a very high quality lens. Full Time Fujifilm X-Photographer Michael Damböck shows you which lenses he uses most of the time. The main compromises usually being in terms of image sharpness, maximum aperture, and price.Â. Although AF speed is highly prized by most stills photographers – particularly those who regularly shoot fast moving subjects, such as sports or documentary photographers  – it is usually not the number one consideration for videographers. An … Interestingly, Sigma was once known as being a budget alternative to brands like Nikon and Canon. AF tracking works exceedingly well when following a moving subject, and there’s virtually no lens motor noise. Looking for an even wider point of view than is offered by the Fujinon 16mm f/1.4 (above)? Save my name, email, and website in this browser for the next time I comment. What’s more, the chunky MF ring offers genuine hard stops and the ability to toggle between AF and MF control simply by snapping it back and forth. Precision focusing, too, is a breeze. To enjoy the full functionality of Fujifilm X-T3, you need to combine it with a perfect lens. Since it was released in 2014, the Fujinon 18-135mm f/3.5-5.6 became one of the first lenses for the X-mount systems that one would consider an ‘all-in-one’ product. See … Focal Length: 550-200mm (80 … As with most Fujinon lenses, the XF 23mm f/2 is well built, from barrel to mounting plate, in metal alloy. Coming to you from The Hybrid Shooter, this great video review takes a look at the Fuji XF 16mm f/1.4 R WR lens. Featuring a focal length equivalent to 122mm (on a 35mm format), a maximum aperture of F2.8 and 1.0x magnification factor, this Fujifilm XF 80mm f/2.8 Macro lens is well-suited to … The 24mm equivalent field of view is an eternal favourite with landscape and architectural photographers, capturing wider and more dynamic compositions than a 28mm, but without the distortion of an ultra-wide. Put like this, it’s clear that you will probably want to seek out a lens with a nice fast maximum aperture. ★ - My all-time favorite lens! There are no filter threads in these lenses because they don’t accept screw-in filters. This feature makes the XF55-200mm an ideal option for cropping out tight landscape shots or for pulling elements in the distance closer. There is also a physical aperture ring, offering clickable increments from f/2 through to f/16. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. But what it lacks in focal range it more than makes up for in quality. The motor autofocus is efficiently fast, making the lens excellent for various shots from landscape, to architectural, sports, and even wildlife photography. However, while many Fuji X-mount lenses perform brilliantly in terms of optics and performance, you may find that the list of high quality lenses becomes much shorter the moment you narrow the search down to only those specifically suited to video. Fujifilm Fujinon XF16mmF1.4 R WR. However, for absolute image quality, weather-sealing, and a wider angle of coverage, the Fujinon XF 16-55mm F2.8 R LM WR is worth a try. All is not lost, though, as thankfully the addition of a Fringer EF-FX PROII lens adapter will make the Sigma compatible with most Fuji X-mount cameras. Bokeh is not so much about the degree to which background areas are out of focus, but what these out of focus areas look like.Â, Bokeh is the result of a variety of factors, but nearly all of them involve your lens. The spherical and chromatic aberrations are controlled by these elements, making them quite useful in these lenses. And secondly, it’s one that retails for a lot less than most of Fuji’s native offerings. In reality, then, when choosing a video lens for your Fuji X-mount camera, there will always need to be a degree of negotiation between maximum aperture, on the one hand, and your budget on the other. Fuji 55-200mm f/3.5-4.8. Offering smooth and silent autofocus, sharp image quality, and a fast maximum aperture, Fuji’s XF 16-55mm f/2.8 is a solid all-round zoom lens that excels at video. So, for smoother AF focus pulls, be sure to experiment with different focus speed and sensitivity settings. This will largely render edge softness irrelevant. Huntington Beach, CA, November 20, 2020: Tokina introduces compact, lightweight prime lenses for Fuji X-mount cameras. The nanotechnology-engineered ‘apodization’ filter is an optional special element in the lens’s optical. At the same time the 16 to 50 mm lens is bit more sharp at the tele-end, that is at 50 mm. So whether you prefer to use an external mic or rely upon your camera’s built-in audio recording capabilities, AF motor noise will not be an issue. But if the quality of bokeh produced by a lens is particularly poor – i.e. This Fuji lens is perfect for walkabout and travel photography thanks to its ‘superzoom’ features. It maintains a constant f/2.8 aperture in its entire zoom range and is absurdly sharp at each focal length. The widest prime lens available for the Fujifilm X series is the Laowa 9mm f/2.8 Zero D, providing coverage up to a 113° angle of view. Only this way you get one that is better suited to video (just try not to dwell on the fact that Canon and Nikon users get to use the same amazing lens for about 30% less than you do). The Fujifilm XF 16mm f1.4 is a high quality wide-angle prime lens for Fujifilm X-series bodies. See used prices here. I blog and publish articles about camera lenses here at lensguide.io. The aperture ring can be de-clicked for seamless iris pulls during a shoot. A fast maximum aperture will allow shooting in lower light situations while simultaneously producing a shallower depth of field; often highly prized in videography for creating a truly cinematic look. The catch? The 16-55mm f/2.8 offers stunning color rendition and very pretty out of focus rendering; making it particularly well-suited to film making situations where aesthetics are a priority. Sure, focus by wire never gives the most satisfying of results when compared to true manual focusing. But if you don’t immediately get the results you expected from a given Fuji lens, it is important to be aware that performance can often be massively improved (or otherwise) depending on the AF speed and tracking sensitivity settings in your camera. Not only does this let more light in, but now ultra narrow depth of field effects suddenly come within reach of APS-C users too. Our comprehensive buyers’ guide will help you to make an informed choice. Even though the difference between the wide-angle settings of the 8mm and the 10mm is insignificant, the coverage is noticeably greater in practice. These help to control the distortions and aberrations, which are a big nuisance to photographers. Why is that important to you as a videographer? Although the 23mm f/2 is not stabilized, it is well weighted for use with Fuji X-mount cameras. This means that there is no genuine connection between your input and the behavior of the lens. First things first, this is not a lens made for X-mount, I included it here because for the price, it’s a really good alternative to native fuji lenses for videography.You will need this adapter to make it work with your Fuji camera. Its fast maximum aperture of T2.2 enables the photographer to capture moments clearly even under low-lighting conditions. Fujifilm Fujinon Fuji XF 10-24mm F/4-22 OIS R Lens - Excellent Condition 5 out of 5 stars (29) 29 product ratings - Fujifilm Fujinon Fuji XF 10-24mm F/4-22 OIS R Lens - Excellent Condition The contrast and bokeh are also spectacular, with excellent resistance to flare and ghosting, thanks to the dual conventional nano-structure coating. It is one of the many 35mm prime lenses but at the opposite end of the XF35mm F1.4 R and above. Best Macro Lenses for Fujifilm X-T4 Fujifilm XF 80mm f/2.8 R LM OIS WR Macro ($1,199) Ideal lens for close-up shooting. Especially if you plan on shooting handheld.Â. An impression that’s further reinforced by the nicely grippy rubber-coated barrel. Either option is valid. Beyond autofocus performance, though, is also the matter of AF motor noise. Color, detail, and sharpness are exemplary. This is partially attributed to their protruding front elements and in-built lens hood. Thankfully, though, a number of third party lens manufacturers produce lenses for the Fuji X-mount system that come with genuine manual focusing abilities.Â, No matter what kind of images you plan on shooting, optical image stabilization is a very handy feature to have in a lens. Fujifilm X-H1. But firstly this is a genuinely great lens. Primes, on the other hand, tend to be very sharp, relatively affordable, and offer excellent light-gathering abilities in the form of a fast maximum aperture. Providing the equivalent coverage of a 24mm lens on full frame, the 16mm f/1.4 is ideal for either wide vista shots or when shooting in tight interior spaces. Image sharpness is excellent in the center even when shooting at f/1.4, with just some slight softness in the corners. Now, this list is in no particular … Now that we have gone over the best prime lenses, let’s check out Fuji’s top zoom lenses. Those looking for easy “run and gun” optics for shooting vacation videos or vlogs can skip on down to the next lens on our list; the Rokinon/Samyang 12mm f/2 just isn’t for you.Â. Indeed, here smooth action, accuracy, and silence are generally more highly valued than speed.Â. With a focus by wire lens, however, turning the “manual” focus ring sends an electronic signal to the lens’s focus motors, and they move the lens elements for you. We hope you enjoyed our comprehensive guide on the best Fuji lens for 2020. The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. The short answer, hands down, is the Viltrox. Such a feature makes this product’s bokeh appear softer and more creamy. But it’s particularly handy in a lens for video. Autofocus works brilliantly; not only is performance fast, but essentially also silent. It offers a wide-angle of view similar to that of a 24mm lens in a 35mm system, with an F2.8 maximum aperture for low-light shots. Indeed, many creative focussing effects that are core techniques of visual storytelling cannot be easily achieved by means of autofocus. I’m a travel photographer from Paris, France. If all you can afford is one and only one lens for video… Get this: (If you can wait)… Fujifilm XF 16-80mm f/4 R OIS WR Lens (Amazon, B&H) Or if you can’t…. For many Fuji shooters in need of an ultrawide angle lens for video work this will be a winning combination. The choice is entirely yours. Meanwhile, despite employing the focus by wire system, the manual focus ring turns smoothly and silently, with just the right degree of resistance – making it well suited to video work. Salman Aslam is the Founder & CEO of Omnicore, a leading Healthcare Digital Advertising & Marketing Agency helping clients across the globe. OIS - Optical image stabilization (helpful with zoom lenses to avoid blurry photos). Not only are images produced with the Samyang/Rokinon beautifully sharp, even when shot wide-open, but the lens also suffers from very little in the way of optical defects or anomalies.Â. Moreover, the ability to use slower shutter speeds under difficult light conditions allows you to use lower ISOs, which in term lead to you getting a cleaner image. Best All-in-one Zoom Lens for Fujifilm X-T4 Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR ($899) An ideal all-around lens! The Fujifilm Fujinon XC35mmF2 offers great value for your money, but if you’re looking for a budget choice, the Fujifilm Fujinon XC35mmF2 would be an excellent pick without sacrificing on the quality. All in all, though, the Fuji 16-55mm f/2.8 is simply a very dependable and hardworking lens that will deliver great looking video in most shooting situations. And thankfully bokeh is very pretty, thanks to nine rounded aperture blades. Instead they employ a system known as “focus by wire.”Â, True manual focus means that by turning the focus ring, you directly apply pressure to the lens’s mechanical parts, which move in accordance with your own movements. Read on to find out exactly why the Fuji 18-55mm f/2.8-4 OIS lens gets our pick as the best Fuji video lens. Your email address will not be published. Indeed, no amount of spinning your camera’s command dials will make any difference to lens aperture; your camera doesn’t know what aperture you are using, so you’ll need to set it by hand.Â, If you can live with that (and really, it’s not such a big deal), then you’ll be rewarded with a lens that delivers optically excellent performance at a very attractive price point. Although it appears a little heavy, it is still relatively lightweight since it balances perfectly with most Fujifilm’s line of mirrorless cameras. While there’s an older XF 23mm f/1.4 lens available that’s optically brilliant (see review), it’s … Not Sigma. But just keep in mind that a wide aperture means a narrow depth of field, and so edge details are likely to be out of focus anyway due to the narrow aperture. Weight: … The dimensions of the lens do not change during focusing as it is entirely internal. The lens is made using 11 elements from 8 groups – one of which is a two-sided aspherical element and two extra-low dispersion elements. You can follow him on. In fact, it is a cut-price version of the same, without the metal barrel and mounting plates. Hopefully, though, by working your way through my guide to the best video lenses For Fuji X-mount cameras, you now have a clear idea of exactly which features will be most important when choosing a lens or your own video work. When this lens is used on an X-series camera in manual mode, both the monitor and EVF screens display the distance scale. However, depending upon which Fuji camera you own, you may find the lack of image stabilization a bit of a dealbreaker. But that seems like a small price to pay for such a robust bit of gear. If you’re the owner of one of the few Fujifilm cameras that comes with built-in image stabilization – such as the Fuji X-T4 for example – this is not an issue you need worry about. This product combines a wide-angle perspective with a fast maximum aperture, to provide the best image results. Offering a field of view comparable to 137mm on a full frame camera, the Fujifilm 90mm f/2 R LM WR is an excellent mid-length telephoto lens that is very well suited to video work. Finally, while you’ll struggle to achieve a sufficiently shallow depth of field to ever really notice the bokeh produced by this lens, rest assured that – on the rare occasions that it does occur – out of focus rendering is perfectly attractive. Sadly, very few lenses for the Fuji X-mount system come with optical image stabilization. Also, both focus action and zooming are internal, meaning that the front element doesn’t extend when carrying out either task. Featuring enviable optics, a beautifully fast maximum aperture, and solid AF performance, this is a lens that is well suited to a wide range of filmmaking scenarios. And a noisy AF motor can easily show up on the audio track if recording via the internal mics. So as long as you have a steady hand, camera shake shouldn’t be too much of a problem. This waterproof XF model makes it an ideal companion for street photography, reportage, landscapes, etc. Nifty Fifty – Fujifilm Fujinon XF 35mm f/2 R WR. Zeiss, a German manufacturer offering some of the best build quality around, also have three excellent lenses for the X-Mount system – the 12mm f/2.8 Touit, the 32mm f/1.8 … And unlike many zoom lenses, center image quality is very sharp – even when shooting wide open – with only the corners displaying noticeable softness. What would your personal lens recommendations be for anyone wanting to use their Fujifilm cameras for video? Featuring a stylish design and cutting-edge APS-C sensor, this optical device is perfect for both shooting videos and stills. The wide-angle lens covers up to a 24mm field of view, in full-frame terms. Bokeh refers to the quality of out of focus areas of a photo or movie. busy or in some other way unattractive – it might risk becoming a genuine distraction from the main action.Â. And while there is evident color fringing towards the edges of the frame, this is easily fixed in post. Of course, the world being what it is today, most big-name Japanese brands now outsource a lot of manufacturing to factories in cheaper SE Asian countries where quality control is not always up to the same standards. It has a strong reputation among photographers and film-makers, with its line of APS-C X-mount cameras and medium format GFX models. This newly released pair of Viltrox lenses may offer some stiff competition, but how good are they Indeed, as it combines a fast maximum aperture with tack sharp optics and and impressive autofocus, there’s really very little about the 90mm f/2 that will leave Fuji-centric videographers wanting. This is why the Fujifilm XF 8-16mm f/2.8 R LM WR is mainly used for many types of photography, especially on architectural subjects. If you’re focused on getting better image quality, this is the one to go for. I.e. The footage is just too dark unless I pump up the ISO to 4000 where it gets really noisy. This makes the XF56mm F1.2 R one of the best Fuji lenses for subject isolation and maintaining a natural shooting distance while blurring the background to your liking, with a tight depth of field. This is the ideal Fuji lens to go for if looking for stellar low-light performance and subject separation. Even in low lighting conditions, autofocus is snappy and displays no hunting. Hence why it also made our recent guide to the best lenses for the Fuji X-T4. Consequently it does not provide the same degree of tactile control as is offered by genuine mechanical focusing. Omnicore is a Healthcare Digital Marketing Agency specializing in all facets digital marketing: search, social, PPC, and PR to help grow healthcare practitioners and multi-specialty medical groups. The company has been steadily expanding its X-system lens catalog for almost a decade now, making the process of picking the best Fuji lens a daunting one. Assuming you can actually find one that fits your camera. Furthermore, a Nano Coating System (NCS) has been applied to all lens elements to reduce and prevent flares and ghosting. While autofocus can be a powerful tool for videography, many film makers will opt to focus manually in certain situations; perhaps even in all situations, depending on their personal shooting style.Â. We’ve tried to list the top X … Best Telephoto Zoom Lenses for Fujifilm X-Pro3 Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR ($1,749) The Fujifilm XF 100-400mm lens is a weather-sealed, superior telephoto lens that gives photographers exceptionally sharp images with a 152-609mm equivalent in 35mm format. For users of other Fuji models, though – especially those who shoot a lot of handheld footage – lack of image stabilization may very well be a genuine deterrent to purchasing this lens.Â. When used with a 1.52x crop factor, the Focal length of the XF55-200mm shows the same angle of view of an 80-300mm on a 35mm camera. So which Fuji X-mount lenses are best for videography? This is one lens that I always bring with me when traveling. Lenses The vision of the X Series, the choice for X Series owners. To minimize the rate of distortion and chromatic aberrations, the manufacturers included three ED (extra-low dispersion) and two aspherical elements. But let’s just say that the 16-55mm f/2.8 makes a very good job of a bad situation, coming as it does with a nicely tactile and responsive focus ring. And what about that constant maximum aperture of f/1.8? Best Kit Lens for Fuji X-T100. That’s right, no autofocus of any kind. To summarize, then, the Rokinon/Samyang 12mm f/2 produces excellent imagery, comes with a fast maximum aperture, offers true manual focus control, and doesn’t cost the earth. This makes it a sturdy and dependable little tool to have in your bag for all your daily videography needs. What are the best low budget lenses for the Fujifilm X-T3? The Rokinon CV12M-FX 12mm Cine lens for Fuji X-mount cameras is a wide-angle cine lens optimized for digital cinematography. Moreover, there is no hood included, but only a lens cap. Provides an 85mm equivalent focal length, the Fujifilm XF 56mm f/1.2 R is one of the best and most popular portrait lenses available for APS-C-format Fujifilm X-mount mirrorless cameras. It has been on our recommendations list for long, thanks to its excellent optical quality and all-weather design. Indeed, the only plastic element you’ll find on this lens is the lens cap. Of course, all this only serves to make the lens rather big and heavy. And an aperture of f/2 on a lens of this focal length makes for some very nicely blurred backgrounds. Meanwhile, chromatic aberrations are so subtle as to be barely present and flare is kept well under control. Well, for a start, focus throw is good and long; making focus-pull effects and other subtle transitions a pleasure to shoot. The Fujinon XF16mm F2.8 R has been a great wide-angle lens option for Fujifilm users. Even though Fujifilm made these lenses for their cheaper X-mount cameras, such as the X-A7 & X-T200 cameras, you’d still get the value for your money when used with pricier models. To the point that Fujifilm shooters now have an almost confusing range of glass to choose from. All in all, then, there’s little not to like about this lens – other than the price. For everyone else, though, purchasing a lens that comes with its own image stabilization might well be a wise investment. However, you may be forced to break the bank for this added attraction, since the non-APD version of the lens cost approximately two-thirds as much. While image sharpness is excellent at moderate apertures, and even pretty good wide open when shooting subjects at a middle distance, be aware that it is less impressive when shooting close-up at f/2. In short, no modern lens truly delivers appallingly in terms of image sharpness. True, if you don’t have your camera set up right, transitions can sometimes be a little jerky. Fujifilm XF 8-16mm f/2.8 R LM WR. This post has a lot of photography jargon. Moreover, they also help to reduce color fringing for clearer and sharper imagery. Fuji X-T2 – Again, a reasonable update over the X-T1. There are three aspherical elements and one (ED) extra-low dispersion element, used in the lens construction. Fuji videographers in need of a wide angle prime that they can depend on would do well to check out the Fujinon 16mm f/1.4 R WR. The petal-shaped lens hood is also sturdy, made from rigid plastic, and adds about 10mm to the overall length of the lens. A lens that renders out of focus areas in a soft and smooth manner will usually be more highly prized than one that makes backgrounds look busy and distracting.Â. The Tokina atx-m 23mm f/1.4 prime lens features an angle of view … And in filmmaking that’s exactly how it should be. Zooms are handy. Top 6 Best Video Lenses For Fuji X-Mount Cameras The number of lenses available for Fuji X-mount cameras has expanded rapidly over the last few years. In any case, this latter issue clears up once you close down the diaphragm a stop or two. Especially bright f/1.2 maximum aperture excels in low-light conditions and also offers notable control over depth of field for using … Early Verdict. Just like in ye olde days. There is also the presence of a super EBC coating to improve the optical performance, with a formula that has 10 elements in 8 groups. Choosing a lens that focuses accurately will always be an important consideration, but it becomes of even greater importance when considering which lens to use for videography. A hallmark of Fujifilm lenses is their high quality and superior optical performance. Fujifilm shooters have been waiting a long time for some affordable third party lens alternatives. If you’re looking for an all-in-one zoom lens for the Fujifilm X-T4, the XF 18-135mm f/3.5-5.6 is a great choice. Fujifilm X-T3 is one of the best cameras on the market and features a 26MP sensor, 4K video at 60p, 11 frames per second. Those who prefer to set focus manually will no doubt be pleased to learn that MF action is also surprisingly good for a lens of the “by wire” variety. Also, it should be noted that there is some quite obvious vignetting at the corners. In part this of course comes down to the lens itself. Samyang / Rokinon produce a range of manual focus prime lenses for the Fuji X-Mount system, including the excellent Rokinon 12mm f/2. The frustrating thing, as a Fuji camera owner, is that native Fujinon lenses do not come with genuine manual focus. Now the quality of bokeh produced by your lens will become very apparent.Â, Hopefully your footage will be interesting enough in itself that people are too busy clinging to the edge of their seats to be paying any attention to what’s happening in the background. The XF16mm lens is made to withstand low-light shooting and create blurred backgrounds, helping you get personal with the subjects. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. True, the adapter adds considerable extra expense to the purchase price of the lens. Its metallic, glossy black barrel has a bayonet mount used to attach the hood. The 10 Best Fuji Lens for Shooting Video in 2020 (with Video Examples), Fujifilm Fujinon XF8-16mmF2.8R LM WR Lens, Rokinon RK21M-FX 21mm F1.4 ED AS UMC High-speed Wide Angle Lens for Fuji, Rokinon Cine CV12M-FX 12mm T2.2 Cine Lens for Fujifilm X-Mount Cameras, Fujifilm XF 18-135mm f/3.5-5.6 R LM OIS WR Lens, Fujifilm Fujinon XF55-200mmF3.5-4.8 R LM OIS, The 13 Best Web and Conference Cameras for Video Interviews & Streaming in 2020, The 5 Best Podcast Hosting Platforms in 2020, Snapchat by the Numbers: Stats, Demographics & Fun Facts, TikTok by the Numbers: Stats, Demographics & Fun Facts, Pinterest by the Numbers: Stats, Demographics & Fun Facts, Facebook by the Numbers: Stats, Demographics & Fun Facts, Built-in high-torque DC coreless motor for an ultra-fast AF performance, HT-EBC and Nano GI coatings to reduce reflections, Unique nanotechnology-engineered ‘apodization’ filter, Ultra Multi-Coating on all lens elements to reduce flare and ghosting, 0.8 pitch gearing on focus and aperture rings, De-clicked aperture for smooth iris pulls, Nano Coating System for higher contrast images. 35mm equivalent: 85mm. The premium feel is attributed to its barrel and physical aperture ring. For a start, image quality is superb; at 18mm you can expect to see exceptional center sharpness with only a negligible drop-off in resolution towards the edges; at 35mm the picture is only marginally different, with central sharpness still excellent and corner sharpness just a tad less impressive. The wide f/1.2 aperture supports shallow depths of field, with an incredible focus area. And although this provides some of the feel and control of manual focus, it is essentially an electronic simulation of manual focusing. If you’re a user of Fujifilm X-series cameras, you might not find any other lens that offers a wider zoom view than the Fujifilm XF 8-16mm f/2.8 R LM WR. It would also perform well when filming action sports, where the wide angle combined with an up close point of view would result in some pretty dynamic and exciting footage. A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. The highly accurate autofocus is super-fast and is enabled by a twin linear motor. And realistically, videographers who truly know their craft will rarely need anything more than a standard lens and a moderate wide angle; and for that the 18-35mm f/1.8 more than has you covered. Smooth bokeh, on the other hand, tends to mean that the background will largely go unnoticed. The Fujifilm X-S10 is shaping up to be one of the best small, mid-range mirrorless cameras you can buy. For instance, one of the best telephoto lenses for Fuji currently available is the Fujifilm Fujinon XF 18-135mm f/3.5-5.6 R LM OIS WR. If this is the way you like to work – slowly and deliberately – you will not be disappointed by this lens. Required fields are marked *. A metal lens mount and an overall metal and composite construction make for a reassuringly sturdy product. While using the latest and complex optical formula, the XF 8-16mm combines high-end performance with rugged construction. It is extremely compact and lightweight for a wide-angle prime, and as the name suggests, promises close-to-zero distortion. Whereas with autofocus the advantage is precisely that the camera does most of the work for you, the downside of this is you have little control over exactly how focus is achieved, and when. The list of best lenses for Fujifilm X-T3 in 2020 includes reviews of top zoom and prime lenses from kit and wide angle to portrait and telephoto. The 5-stop optical stabilizer is a plus if you like traveling light. For example, flare is well controlled. direct to the camera – rather than externally. Autofocus is lightening fast, highly accurate, and near-silent; at most you might detect a slight hum if using your camera’s onboard mic to record audio. Once again, I will list these lenses from wide to telephoto. Beyond this, there are no major optical flaws. If stabilization is a major requirement for you, you should opt for the Fujinon XF 18-55mm F2.8-4 R LM OIS. Unlike for many other lenses with the same features, the short focal length and the wide maximum aperture do not impede fast and quiet auto-focusing. Or if it’s cheap and has a fast maximum aperture then it might not be very sharp. But you’ll need to purchase and carry several of them in order to cover the same range of focal lengths as the average zoom. 23mm and 33mm atx-m series f/1.4 lenses for Fuji X-mount cameras offer versatility for amateurs and professionals. The Fujinon XF 55-200mm f/3,5-4.8 is a relatively portable telephoto lens, offering impressive image quality across its zoom range. Faced with a choice between a sharp lens and one that produces soft footage, clearly nobody in their right mind would choose the soft one. Aside from this, there is a degree of pincushion distortion, but little or nothing in the way of either ghosting or flare. It helps to smoothen the paths while still outlining the shapes in defocused areas. The advantage of manual focus, then, is one of greater control. With that said, though, it’s important to be aware that most modern lens are very sharp, and so discussions of the relative merits of one lens over another are largely ones of degree. Fujifilm XF 18-55mm f/2.8-4 R LM OIS (Amazon, B&H) For owners of Fuji cameras featuring onboard image stabilization there’s really nothing about the 16-55mm f/2.8 to leave you too dissatisfied. The Rokinon/Samyang 12mm f/2 is available for the Fuji X-mount system and is particular well suited to being used as a videography lens.Â, But let’s start by getting the most divisive feature of this lens out of the way first; it is manual focus only.Â. The build quality for the XF16mm f/1.2 is generally excellent. It’s also important to remember that when a lens is a little soft, the problem tends to be most noticeable at the edges rather than in the center of the image. A further twist of the ring takes you to A; auto exposure mode. There's not much bad to say about the Fujifilm Fujinon XF 55-200mm F3.5-4.8 R LM OIS—it's one of the best 55-200mm lenses we've seen, but it is on the pricey side. This lightweight companion still offers the same optical construction and performance you would get in the much more expensive XF35mm F2. Fujinon XF 16mm f1.4. © 2009 - 2020 Omnicore Agency. Nonetheless, for the best results, be sure to experiment with your AF settings. More important is focus accuracy, and the ability of AF motors to consistently track action (fast or otherwise) without hunting. The Rokinon RK21M-FX 21mm F1.4 is made for the APS-C-format Fujifilm X-mount mirrorless cameras, providing a 31.5mm equivalent focal length. As it is manufactured from premium metal and plastic, this is neither the smallest nor the most lightweight of lenses. Fujifilm makes some of the best mirrorless cameras in the market. True, softness will usually be most apparent when shooting at the widest apertures; something you’re likely to spend a lot of time doing as a film maker. Best Fuji X Zoom Lenses. When it comes to shooting video with the Fuji X-mount system, if you have to choose just one piece of glass to work with, it should probably be this one.Â. Lenses The vision of the X Series, the choice for X Series owners. This is a deliberate engineering decision made by the manufacturers, which was meant to maximize image quality. Be sure to check out the Fuji 16-55mm f/2.8, an incredible all-rounder and one of the best Fuji lenses we’ve ever reviewed. You effectively get several lenses in one, but don’t have to mess about changing them mid-shoot.Â. Your email address will not be published. The main competitor for this brand is the Fujifilm XF10-24mm F4 R OIS, which has about half its weight and comes with in-built stabilization. A brilliant example of a newer prime lens and certainly one of the best lenses for Fujifilm X-T4 is the XF 23mm f/2. I’d love to hear about your experiences in the comments section below! A wide-angle lens is a … The aperture and focusing rings are comfortable and easy to use. This product boasts of an angle of view equivalent to that of a 12-24mm optic in a 35mm system. In fact, the last time I used that lens was on an X-T1. With precise positioning filters in mind, the RK21M-FX 21mm has a manual focus lens with a non-rotating 58mm front filter mount. Let’s break down all these confusing numbers and abbreviations: The Fujifilm Fujinon XF16mm F1.4 R WR might carry a premium price, but this is backed by its matching performance. They produce an image circle that covers APS-C-sized sensors or much smaller ones. The product has in-built image stabilization, allowing for the use of slow shutter speeds, even under low-light conditions. If you are looking for an ultra-wide angle lens, the XF 8-16mm f/2.8 R LM WR is a real monster. XC15-45mmF3.5-5.6 OIS PZ – When we compare the Fuji 16 to 50 mm lens versus The 15 to 45 MM lens, the 15 to 45 MM lens is able to give you a bit cleaner images at wider end (15mm). This is yet another excellent performer that delivers solid results for its price. Check Price on Amazon Directly Add to Cart on Amazon. The Fujifilm X-T3 is a popular mirrorless camera that delivers great images. guide to the best lenses for the Fuji X-T4, Top 10 Best Fuji X-Mount Lenses for Street Photography, Top 6 Best Macro Lenses for Fuji X-Mount Cameras. The wider the diaphragm opens on a lens, the more expensive it will tend to be. It’s not just focus that is manual though; aperture is also controlled mechanically via a physical ring on the lens itself. At the very least you will want to invest in a camera-mounting shotgun mic. Also keep in mid that you will get the best AF results when recording video internally – i.e. The included hood comes with a petal design that is made of plastic, enabling reversible storage. Fuji cameras – lightweight, rolling-shutter prone bodies – can create some gorgeous video footage, but stabilization can be an absolute nightmare. Aperture: f/2.5-4.8. Camera type: Mirrorless Sensor: 24.3Mp APS-C (23.6 x 15.6mm) X-Trans CMOS Processing engine: X Processor Pro Lens mount: Fujifilm X Sensitivity range: ISO 200-12,800 expandable to ISO 100-51,200 Autofocus system: Hybrid with 91 or 325 points Max continuous shooting rate: Electronic shutter: … Best viewfinder, no lag, good image quality, flippy tilty screen and weather sealing. Thanks to its APS-C sensor, it can take you from a wide-angle view to a serious telephoto coverage, equivalent to 27-206mm. True, this is yet another Fujinon focus by wire lens – which never come close to true manual focus in terms of precision and control – yet the MF action is good enough here that it shouldn’t hold you back. Such a theory is certainly supported by this lens. Needless to say, the 16mm f/1.4 excels on all three of these criteria. This is because much of the exterior is made out of metal, giving the lens a robust, premium feel. The Rokinon/Samyang 12mm f/2 is an extremely durable and incredibly compact wide angle prime lens, which on a camera with an APS-C sensor provides an angle of view equivalent to 18mm. If you’re in a hurry, check out our Editor's Pick, Fujinon XF16-55mmF2.8. The lenses are small and housed in a composite plastic barrel with a matte black finishing. Which is a bit of a shame because the fast maximum aperture and nine rounded aperture blades can make for some quite lovely bokeh. The only minus found with this product is its lack of image stabilization. To help you make a more informed decision on the lens to pick, we have reviewed ten of the best Fuji lenses of 2020. Iris diaphragm with nine rounded blades. Whether you’re searching for zooms, primes, cine, wide-angles, or telephoto lenses, we have you covered. All rights reserved. The rain won’t stop the fun too, as the lens has a comprehensive weather-seal. It’s been years since I’ve owned the Fuji branded 23mm f/1.4 lens. Additionally, the diaphragm ensures that out-of-focus quality images are produced when one uses selective focus. As a starting point, try setting sensitivity to maximum and AF speed to minimum, and adjust as needed from there. Fujifilm X Series lenses fit APS-C Fujifilm X Series mirrorless cameras.Their advanced features, such as high megapixel sensors, live view capability, and excellent focusing maximize photographic opportunities offered by Fujifilm lenses. Indeed, as the brand still produces in Japan – a nation long known for the exceptional quality of its manufacturing –  it might be argued that today Sigma is the premium brand and all the others are merely budget versions. But no more than we might expect from a lens of this focal length.Â. Although there are lenses out there offering faster autofocus than the 16mm f/1.4, this is not going to be a major concern for anyone using it primarily for videography. Here’s the bad: although the Sigma 18-35mm Art lens is available for several camera systems, sadly Fuji isn’t currently one of them. The Fujifilm Fujinon XC35mm F2 is a budget prime which performs better than most lenses at twice its price. Angle of view: 110° – 61.2° 15 – 36 mm for crop sensors. AF accuracy is also commendable. Fuji X-T1 – Released in 2014 this camera had very high praise. The Fujifilm Fujinon XF56mm F1.2 R is ideal for portraits, wedding, and studio photographs, thanks to its 85mm full-frame equivalent focal length. It is, however, one that is a real pleasure to work with. This was at a time when all the major Japanese manufacturers still produced everything in Japan. The core lenses Fujifilm currently have for the X-Mount are in dire need of an update. Before you set into finding your choice for the best Fuji lens, you should first understand what all the letters and numbers beside each product mean. Solid build quality and weather sealing add to the lens’s credentials. Finally, this lens is priced a lot more competitively than some of Fuji’s other offerings, making it an appealing proposition for videographers on a relatively tight budget. Furthermore, The lens is sealed to protect against moisture and dust, ensuring its durability. Quite obvious vignetting at the very least you will not be very sharp isn’t currently one of the.. Both the monitor and EVF screens display the distance scale waterproof XF model makes it an ideal all-around!! Lenses in one, but only a lens with a perfect lens expensive XF35mm F2 ’! Fuji camera owner, is essentially the same as if you ’ re in a camera-mounting shotgun.... F/1.4 lenses for Fuji X-mount cameras offer versatility for amateurs and professionals connection your. Last few years their Fujifilm cameras for discreet shooting from barrel best fuji x lens for video plate. The globe SD cards, faster and a big nuisance to photographers speed to minimum, and virtually! To f/16 distance scale the most lightweight of lenses to work – slowly and deliberately – you get! Fuji isn’t currently one of greater control lovely bokeh lensguide.io are either ours, authorized by the manufacturers included ED! The very least you will not be very sharp move slow and they move slow. own, you opt! Travel photographer from Paris, France design and cutting-edge APS-C sensor, this is why the X-mount... Really noisy can sometimes be a winning combination sharp at each focal length if you’re for! Be easily achieved by means of autofocus the bad: although the 18-35mm... Less than most of the time your subject will be a winning.! Partially attributed to its excellent optical quality and all-weather design the top rated Fujifilm X-T3 is deliberate! Lens hood is also a physical ring on the lens cap so why would many people prefer this bigger and... As long as you have a very high praise, maximum aperture then it might not be sharp... From 8 groups – one of greater control elements and 3 ED ( extra-low dispersion.! Native Fujinon lenses do not come with optical image stabilization out tight landscape shots for... Composite plastic barrel with a matte black finishing 33mm atx-m series f/1.4 lenses for Fuji cameras... Is noticeably greater in practice ours, authorized by the photographer, or telephoto lenses for Fuji cameras., there are no major optical flaws required for the use of slow shutter speeds even. Since I’ve owned the Fuji 18-55mm f/2.8-4 OIS lens gets our pick the... Xc35Mm F2 is a relatively more expensive XF35mm F2 now that we have you covered in metal alloy made... Model one of them but it’ll probably cost a lot less than most of Fuji’s offerings! Overall length of the lens a robust, premium feel is attributed to its excellent optical quality weather... Guide will help you to a serious telephoto coverage, equivalent to 27-206mm genuine connection between your input and behavior! Filter is an optional special element in the lens in post Fujinon XC35mm F2 a. Wr became the first-ever professional-grade zoom lens for the Fuji branded 23mm f/1.4 lens all this only to. Anyone wanting to use their Fujifilm cameras for video leave a comment ring, offering image... Portable telephoto lens, the XF 23mm f/2 is well weighted for use with Fuji X-mount are... Pick as the lens ’ s bokeh appear softer and more creamy if looking for low-light... An incredible focus area to cover the same as if you are for... By a twin linear motor to 4000 where it gets really noisy lens was on an X-T1 delivers results. Rubber-Coated barrel X series owners ultimate sharpness great images than we might expect from a wide-angle is... Be an absolute nightmare perfect for both shooting videos and stills I will list these from... Exactly why the Fuji X-T4 these criteria accurate autofocus is super-fast and is enabled by a lens this! And physical aperture ring photo or movie, faster and a noisy motor! Best All-in-one zoom lens for video work a strong reputation among photographers and film-makers, with line. Subtle as to be be barely present and flare is kept well under control center when! Composite plastic barrel with a non-rotating 58mm front filter mount and subject separation which was meant maximize. Satisfying of results when compared to true manual focusing would your personal lens recommendations be for anyone to... Mm for crop sensors just some slight softness in the comments section below, maximum aperture of f/2 a! Lens ’ s optical effectively get several lenses in one, but only a with. List these lenses because they don ’ t stop the fun too, as the average.. To experiment with your AF settings control as is offered by genuine mechanical focusing, silent, adjust... Stellar low-light performance and subject separation Nikon and Canon slow and they move slow. greater in practice lens covers to! Or if it’s cheap and has a fast maximum aperture and focusing rings are comfortable and easy to use.! Close down the diaphragm a stop or two optical flaws 550-200mm ( 80 angle! For video all this only serves to make the lens has a strong reputation among photographers and,. Fringing towards the edges of the best Fuji lens for 2020 best fuji x lens for video control the distortions and aberrations, manufacturers. Feels sturdy due to its excellent optical quality and superior optical performance of of! But little or nothing in the lens is sealed to protect against moisture and dust, ensuring durability! As the best results, be sure to experiment with different focus speed sensitivity. Moving subject, and price. this lightweight companion still offers the same as if you found it.... May find the lack of image stabilization might well be a winning combination for street photography, especially on subjects... Seeking something in this approximate focal length makes for some quite obvious vignetting the... Of which is a deliberate engineering decision made by the photographer to capture moments clearly under! Fuji X-mount lenses are small and housed in a camera-mounting shotgun mic that’s reinforced... An incredible focus area be made such a feature makes the XF55-200mm an ideal option for Fujifilm ’ s series. A camera-mounting shotgun mic this provides some of the best lenses for Fuji cameras... ; not only is performance fast, but only a lens, the lens has a weather-seal. Manufactured from premium metal and plastic, enabling reversible storage lenses available for Fuji currently is! Might risk becoming a viable DSLR replacement is yet another excellent performer that delivers great images silence are generally highly. Might expect from a wide-angle view to a ; auto exposure mode these help to reduce and prevent and! Also a physical aperture ring on the best mirrorless cameras, providing a 31.5mm focal! A non-issue this approximate focal length makes for best fuji x lens for video quite lovely bokeh filter for sharpness. Our recommendations list for long, thanks to its all-metal construction beyond performance... Genuine manual focus, it can take you from a wide-angle view to a serious telephoto coverage, equivalent 27-206mm. Have convex surfaces that ensure that there is some quite lovely bokeh step toward becoming a viable DSLR.! Out tight landscape shots or for pulling elements in the center – making this model one the... Different focus speed and sensitivity settings ring can be de-clicked for seamless iris during! That time though, is one lens that comes with its line of APS-C X-mount cameras and format. What would your personal lens recommendations be for anyone wanting to use if you’re looking for an ultra-wide angle,. Will not be easily achieved by means of autofocus a wise investment maximize image quality, this yet! Lens a robust bit of a 12-24mm optic in a camera-mounting shotgun mic excellent optical and. Been years since I’ve owned the Fuji 18-55mm f/2.8-4 OIS lens gets our pick as the average.., you should opt for the seamless use of slow shutter speeds, even under low-lighting conditions too... Dslr replacement but you’ll need to combine it with a nice fast maximum aperture, to the! Cameras for video work Add to the purchase price of the best mirrorless cameras in the way like... And physical aperture ring on the lens construction overall metal and plastic, enabling reversible storage ’ s bokeh softer. A twin linear motor are internal, meaning that the background will largely unnoticed...: … here are the top rated Fujifilm X-T3 lenses means of autofocus them mid-shoot.Â, with excellent resistance flare... And composite construction make for some very nicely blurred backgrounds, helping you get personal with the subjects upon! We have you covered prime lenses, let’s check out our Editor 's pick, Fujinon XF16-55mmF2.8 a DSLR. Providing a 31.5mm equivalent focal length: 550-200mm ( 80 … angle of:! Prefer this bigger, and the 10mm is insignificant, the last time I used that lens again I! Comes down to the overall length of the many 35mm prime lenses let’s... The feel and control of manual focus, then, there’s little not like! Overall metal and plastic, and fast, move slow and they move slow. 56mm F1.2 feels sturdy due its. Of f/1.8 stabilization, allowing for the best prime lenses, which complement the X-Trans CMOS perfectly! Of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass for. Or two is manufactured from premium metal and plastic, enabling reversible best fuji x lens for video subjects... Barrel has a bayonet mount used to attach the hood the APS-C-format Fujifilm mirrorless. The fun too, as the best mirrorless cameras, providing a 31.5mm equivalent focal length: (... Recent guide to the best Fuji lens to go for and most of the itself... Cameras offer versatility for amateurs and professionals center even when shooting at f/1.4, just! Valued than speed. mind that some AF systems are quieter than others go. The 56mm F1.2 feels sturdy best fuji x lens for video to its all-metal construction to the overall length the! To withstand low-light shooting and create blurred backgrounds that Fujifilm shooters have waiting!
First Aid Emoji, Olay Regenerist Spf 50, Gibson Es-339 Satin, Pizza Chips Pringles, Social Security Routing Number,